John’s notes; I wrote this short tune (Approx’ 1 minute) as an introduction to playing a slow, relaxing, ‘Jazzy Blues’ piece. For members who like music theory; Targeting the b3, b5 and b7 (flatterned 3 rd , flatterened 5 th and flatterned 7 th ) notes of the scales associated with the underlying chords provides the distinctive sound of Jazz, Gospel and the Blues music. On the TAB sheet I’ve highlighted these notes in blue. These ‘altered’ scale notes are often found in Heavy Metal, Rock, Blues, Gospel, Film Trailor scores, and even Classical music. Notice most of the chords are ‘dominant 7ths’ (root - 3 rd 5 th & b7).
(Welling. Kent)
07919 356980
Lesson Guide - ‘Laid Back’ Jazzy Blues
TAB & ‘one to one’ tuition available to members:
Any questions - just ask
Backing Track
Lead Gtr & Backing Track
Jazz Band
Lead Gtr
Rhythm Gtr
John’s notes; I wrote this short tune (Approx’ 1 minute) as an introduction to playing a slow, relaxing, ‘Jazzy Blues’ piece. For members who like music theory; Targeting the b3, b5 and b7 (flatterned 3 rd , flatterened 5 th and flatterned 7 th ) notes of the scales associated with the underlying chords provides the distinctive sound of Jazz, Gospel and the Blues music. On the TAB sheet I’ve highlighted these notes in blue. These ‘altered’ scale notes are often found in Heavy Metal, Rock, Blues, Gospel, Film Trailor scores, and even Classical music. Notice most of the chords are ‘dominant 7ths’ (root - 3 rd 5 th & b7).
Backing Track
(Welling. Kent)
07919 356980
Any questions - just ask
Lesson Guide - ‘Laid Back’ Jazzy Blues
TAB & ‘one to one’ tuition available to members:
Lead Gtr & Backing Track
Jazz Band
Lead Gtr
Rhythm Gtr